Dans son livre De l’esprit paru en 1758, Helvétius s’efforce de montrer, au chapitre 25 du discours III, que la force des passions est proportionnelle à la grandeur des récompenses qu’on leur propose pour objet.
All of us at the Voltaire Foundation express warmest solidarity with our friends and colleagues in France, in the wake of the tragic and brutal events of 13 November.
On the tercentenary of the death of Louis XIV, and the publication of Voltaire’s seminal Siècle de Louis XIV by the Voltaire Foundation, 2015 is a better year than most to search for the legacies and impacts of Louis’s reign closer to the Voltaire Foundation’s home on Banbury Road in Oxford.
As a scholar of the ‘other’ enlightenments, i.e. those that were not located in England or France, but rather in Spain and Italy, I have been struck by the extent to which the eighteenth-century French rhetorical style controlled the reader’s view of the world. And as a scholar of eighteenth-century encyclopedias, most of which were written in French, I have been equally surprised by how the geographical articles written in these French-language compilations helped shape national identities, as seen not only from within, but also from without. Words are powerful weapons.
Certains volumes avec notes marginales de Voltaire ont été offerts par lui à des amis. Tel est le cas d’un exemplaire de l’Introduction à la connaissance de l’esprit humain (1746), de Luc de Clapiers, marquis de Vauvenargues.
As this year’s recipient of the British Society for Eighteenth-Century Studies Travelling Award, I was able to extend my stay in the French city of La Rochelle for three weeks of study in their departmental and municipal archives in March of 2015. My research concerned the emotional experience and aftermath of the Revolution there, and specifically the patterns of trauma and emotional reconstruction that took place in the city during the Directory era (1795-1799).
Voltaire relished a good fight. But while the passions that would be invested in the Calas and La Barre affairs were to leave little room for feelings of amusement, when it came to Jean-Jacques Le Franc de Pompignan the target was ripe, the personal risk was low, and never was Voltaire in such fully gleeful form as during the years 1760-1761.
Le château de Versailles présente l'exposition Le roi est mort. Louis XIV 1715, laquelle entend donner à voir et à comprendre un rituel méconnu: celui des funérailles du Grand roi.